Kader Attia
26 Nov 2013 - 01 Oct 2014
KADER ATTIA
26 November 2013 - 1 October 2014
French Algerian artist Kader Attia’s (b. 1970) immersive, multi-media installation gives us a glimpse of infinity. He revisits the story of Jacob’s Ladder describing the prophet’s vision of angels ascending from earth to heaven. A towering floor to ceiling structure fills the lofty spaces of the Gallery as a cabinet of curiosities, artefacts and books.
This new work of art is the result of Kader Attia’s engagement with a space steeped in history as the reading room of a former library. It looks at the idea of books and objects as receptacles of history, continuously carrying memories with them. The installation also maps the evolution of knowledge through the study of science, anthropology, politics and physics.
The installation is the latest chapter in Kader Attia’s research into the concept of repair, which he sees as an underlying principle of development and evolution in both culture and nature. As Attia says ‘the biggest illusion of the Human Mind is probably the one on which Man has built himself: the idea that he invents something, when all he does is repair.’
Kader Attia was born in Dugny, France and he has exhibited widely internationally including at art survey dOCUMENTA (13), 2012. This is his first UK exhibition.
26 November 2013 - 1 October 2014
French Algerian artist Kader Attia’s (b. 1970) immersive, multi-media installation gives us a glimpse of infinity. He revisits the story of Jacob’s Ladder describing the prophet’s vision of angels ascending from earth to heaven. A towering floor to ceiling structure fills the lofty spaces of the Gallery as a cabinet of curiosities, artefacts and books.
This new work of art is the result of Kader Attia’s engagement with a space steeped in history as the reading room of a former library. It looks at the idea of books and objects as receptacles of history, continuously carrying memories with them. The installation also maps the evolution of knowledge through the study of science, anthropology, politics and physics.
The installation is the latest chapter in Kader Attia’s research into the concept of repair, which he sees as an underlying principle of development and evolution in both culture and nature. As Attia says ‘the biggest illusion of the Human Mind is probably the one on which Man has built himself: the idea that he invents something, when all he does is repair.’
Kader Attia was born in Dugny, France and he has exhibited widely internationally including at art survey dOCUMENTA (13), 2012. This is his first UK exhibition.