Vik Muniz

1961 born in São Paulo, Brazil

Lives and works in New York City, United States

Solo Exhibitions

2008 Arndt & Partner, Berlin

2007 Baltic Center, Level 3 Gallery, Gateshead, UK
“Vik Muniz: Reflex, P.S. 1.”, New York
“Vik Muniz: Reflex”, Museum of Contemporary Art, Montréal, Canada Fortes Vilaca Gallery, Sao Paulo, Brazil
Gary Tatintsian Gallery, Moscow, Russia

2006 “Reflex”, Miami Art Museum, Miami, FL; Seattle Art Museum, Contemporary Art Museum University of South Florida Tampa, Florida
“Bulfinch's Recycling Yard: Vik Muniz Pictures of Junk”, Rena Bransten Gallery, San Francisco
“Remastered Selections from the West Collection”, Gadsden Arts Center, Quincy, USA
“Pictures of Pigment”, Xippas Gallery, Paris

2005 Koyanagi Gallery, Tokyo, Japan
Sala Amos Salvaldor, Logrono, Spain
The Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Cardi Gallery, Milan, Italy
“Vik Muniz: Divas & Monsters”, Centro Cultural Banco do Brasil, Sao Paolo, Brazil

2004 “Rebus”, Rena Bransten Gallery, San Francisco
“Retratos de Revista”, Pinacoteca do Estado de Sao Paulo, Brazil
Irish Museum of Modern Art, Dublin, Ireland
“Pictures of Magazines”, Brent Sikkema Gallery, New York
“Diamond Divas and Caviar Monsters”, Galerie Xippas, Paris, France & Athens, Greece
Gallery Elba Benitez, Madrid, Spain
Fundacion Telefonica, Madrid, Spain
University of South Florida, East Gallery, Tampa, USA
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain

2003 MACRO-Museo d'Arte Contemporanea Roma, Rome, Italy (Catalogue)
Gallery Gan, Tokyo, Japan
Indianapolis Museum of Art, Indianapolis, IN
Marabini Gallery, Bologna, Italy
“Retratos de Revista”, Paco Imperial, Rio de Janeiro, Brazil
“Monadic Works and Drawings”, Galeria Fortes Vilaca, Sao Paulo, Brazil

2002 Galleria Cardi, Milano, Italy
The Menil Collection, Houston, USA
CU Art Galleries, University of Colorado, Bolder, USA
“Pictures of Color”, Rena Bransten Gallery, San Francisco, USA
“Model Pictures”, The Menil Collection, Houston, USA
“Earthworks”, Brent Sikkema Gallery, New York
Barbara Krakow Gallery, Boston, USA
Douglas Lawing, Houston, USA
Pictures of Air, Michael Hue Williams Fine Art, London, UK & Sperone Gallery, Rome, Italy
“Laberints”, Spai 13, Joan Miro Foundation, Barcelona, Spain
“Reparte”, CU Art Galleries, University of Colorado, Boulder, USA

2001 “Seeing is Believing”, Contemporary Arts Center, New Orleans, USA
“Reparte”, Atlanta Colege of Art Gallery, Woodruff Art Center, Atlanta, USA and Henry Art Gallery, University of Washington, Seattle, USA
“Seeing is Believing”, Museu de Arte Moderna, Rio de Janeiro, Brazil and Museu de Arte Moderna, Recife, Brazil
Funcacao Joaquim Nabuco, Recife, Brazil
Galeria Camargo Vilaca, Sao Paulo, Brazil
“Clayton Days, Espaco Cine, Sao Paulo, Brazil; Contemporary Arts Center New Orleans, USA; Museu de Arte Moderna, São Paulo, Brazil and Museu de Arte Moderna, Rio de Janeiro, Brazil
“Homenagem ao Centenario de JK”, Museu da Pampulha, Belo Horizonte, Brazil
49.Biennale di Venezia, Brazilian Pavillion and Museo di Palazzo Fortuny, Venice, Italy
“Erotica”, Xippas Gallery, Paris, France
“The Things Themselves: Pictures of Dust”, Michael Hue Williams Fine Art, London, UK and Whitney Museum of American Art, New York
Gallery Gan, Tokyo, Japan

2000 “Pictures of Ink”, Brent Sikkema Gallery, New York, USA
“Earthworks”, Rena Bransten Gallery, San Francisco, USA
“"Photographs" and Personal Articles”, Ubu Gallery, New York, USA; Gallery Gan, Tokyo, Japan and Foundation Huis Marseille, Amsterdam, The Netherlands
“The Invisible Object”, Galeria Camargo Vilaca, Sao Paulo, Brazil
Gallery Gan, Tokyo, Japan
Tang Teaching Museum and Art Gallery, Saratoga Springs, USA
“Clayton Days”, The Frick Art and Historical Center, Pittsburgh, USA and Musée de l’Elysée Lausanne, Switzerland

1999 “Seeing is Believing”, Center for Creative Photography, The University of Arizona, Tucson, USA, The Contemporary Museum, Honolulu, Haiti, Museum of Contemporary Photography, Columbia College, Chicago, USA and Centre National de la Photographie, Paris, France
Galeri Lars Bohman, Stockholm, Sweden
Gian Enzo Sperone Gallery, Rome, Italy
“Photo & Co.”, Milan, Italy
“Flora Industrialis”, Caisse des Dépôts et Cossignations, Paris, France
“After Warhol”, Renos Xippas Gallery, Paris, France

1998 “Seeing is Believing”, International Center of Photography, New York, USA
Rena Bransten Gallery, San Francisco, USA
“Flora Industrialis”, Brent Sikkema/Wooster Gardens, New York, USA
Galeria Módulo, Lisbon, Portugal

1997 Dan Bernier Gallery, Santa Monica, USA
Galeria Camargo Vilaça, Sao Paulo, Brazil
“Pictures of Thread”, Wooster Gardens, New York, USA

1996 “Pantomimes”, Rena Bransten Gallery, San Francisco, USA
“The Best of Life”, Wooster Gardens, New York, USA
“The Sugar Children”, Tricia Collins, Grand Salon, New York, USA
Galeria Casa da Imagen, Curitiba, Brazil

1995 “The Wire Pictures”, Galeria Camargo Vilaça, São Paulo, Brazil

1994 “Representations”, Wooster Gardens, New York, USA
Galeria Claudio Botello, Turin, Italy

1993 “Equivalents”, Tricia Collins Grand Salon, New York
“Equivalents”, Ponte Pietra Gallery, Verona, Italy

1992 Gallerie Beaumont, Luxembourg
Claudio Botello Arte, Turin, Italy
Individuals, Stux Gallery, New York, USA

1991 Gabinete De Arte Rachel Arnaud, São Paulo, Brazil
Galerie Claudine Papillon, Paris, France
Galeria Berini, Barcelona, Spain
“The Best of Life”, Stux Gallery, New York, USA
Kicken-Pausebach, Cologne, Germany

1990 Stux Gallery, New York, USA
Meyer/Bloom Gallery, Santa Monica, USA
Stephen Wirtz Gallery, San Francisco, USA

1989 Stux Gallery, New York, USA

Group Exhibitions

2008 “Vou-te contra uma história: Let me tell you a story”, Porta 33, Funchal, Portugal

2007 “Defining Moments in Photography 1967-2007”, Museum of Contemporary Art, Chicago. USA
“Imaginary Prisons: G.B. Piranesi & Vik Muniz”, National Gallery of Victoria, Victoria, Australia
“TRANSactions Contemporary Latin American and Latino Art”, La Jolla, USA and Memorial Art Gallery, University of Rochester, New York, High Museum of Art, Atlanta Georgia, and Wetherspoon Art Museum, University of North Carolina, Greensboro
“Timer: Intimacy”, Triennale di Milano, Milan, Italy

2006 “Fatamorgana: Illusion and Deception in Contemporary Art”, Haifa Museum of Art, Haifa, Israel “Busy going Crazy: Collection Syvio Perlstein - Art & Photographie de Dada a aujourd'hui”, La Maison Rouge, Foundation Antoine de Galbert, Paris, France
“Before the Camera Remaking Reality and the Make-Believe”, Norton Museum of Art, Palm Beach, Florida, USA
“Paralela”, Pavilhão Armando de Arruda Pereira, Parque do Ibirapuera, São Paulo, Brasil“Le Noir Est Une Couleur: Hommage vivant a Aime Maeght”, Fondation Marguerite et Aime Maeght, Saint-Paul, France
“Football et art contemporain”, Musée Géo Charles, Echirolles, France
“Rendons à Cézanne ce qui…”, Galerie d'art du Conseil Général, Aix-en-Provence, France
“The Food Show: The Hungry Eye”, The Jewish Museum, New York, USA
“Figures de l’acteur, le paradoxe du comédien”, Collection Lambert en Avignon, Avignon, France
“Into Me/Out of Me”, P.S.1 MOMA, New York, USA
“Cryptozoology: Out of Time Place Scale”, Bates College Museum of Art, Lewiston, USA
“The Beautiful Game: Contemporary Art and Fúbol”, Roebling Hall, Chelsea, USA
“Joy Pop! Pop Art 1960's- 2000's: Selection of the Missumi Collection”, Sompo Museum. Tokyo, Japan
“Transformer: A traveling exhibition of contemporary artworks from the West Collection”, Main Line Art Center, Philadelphia, USA
“Certain Encounters Daros Latinamerica Collection”, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada
“Inventive Fashion Photographs: Chuck Close, Annie Leibovitz and Vik Muniz”, Danzinger Projects, New York, USA
“Hollywood Boulevard”, Galeria Fortes Vilaça, SP, Brasil
“Complicit! Contemporary American Art and Mass Culture”, University of Virginia Art Museum, Charlottesville, USA
“Connected –Unconnected”, The Dock Arts Centre, Carrick on Shanon, Co., Leitrim, Ireland
“Visitonair 47 Taste”, Visionaire Gallery, New York, USA
“Beautiful Suffering: Photography and the Traffic in Pain”, Williams College Museum of Art, Williamstown, USA
“Eretica: Trascendenza e profano nell'arte contemporanea”, Civica Galleria d’Arte Moderna Palermo, Italy

2005 “Ongoing: Carl Andre to Vik Muniz”, Gaain Gallery, Seoul, Korea “
“Inverting the Map: Latin American Art from the Tate Collection”, Tate, Liverpool, GB
“Erotica-Os Sentidos na Arte”, Centro Cultural Banco do Brasil, São Paulo, Brazil (CCBB, Rio de Janeiro, CCBB Brasilia)
“The Hours: Selection of the Daros Collection”, Irish Museum of Modern Art Dublin, Ireland
“Contemporary Voice: The Contemporary American Art from Misumi Collection”, Tottori Prefectural Museum, Japan
“Vik Muniz and Laurent Millet: Illusions et machines a images”, l’Hotel des Arts-Centre Mediterraneen d’Art, Toulon, France
“Overhead/Underfoot: The Topograghical Perspective in Photography”, Whitney Museum of American Art, New York, USA
“Human Landscapea: permanent collection of the CAC Malaga”, Centro de Arte Contemporáneo de Málaga, CAC, Malaga, Spain
“Revolution And Commerce: The Legacy of Korda’s Portrait of Che Guevara”, UCR/California Museum of Photography, Riverside, USA
“Main Line Collects: Distinctive Choices”, Main Line Art Center, Harverford, USA
“In Focus: Contemporary Photography from the Allen G. Thomas Jr. Collection”, North Carolina Museum of Art, USA
“Surfaces Paradise: Vik Muniz, Thomas Ruff and Gary Carsley”, Museum voor Moderne Kunst Arnhem, Arnhem, The Netherlands
“Cloud Images”, Aargauer Kunsthaus, Aarau, Switzerland
“Logical Conclusions: 40 Years of Rule-Based Art”, PaceWildenstein, New York, USA
“The Other Mainstream: Selections from the Mikki and Stanley Weithorn Collection”, Arizona State University, Tempe, USA
“The Anniversary Show”, Rena Bransten Gallery, San Francisco, USA
“Fotographia! Arte 2005: Latin American Photography”,Tampa Museum of Art, Tampa, USA
“Material Matters”, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA
“Joint Venture”, Richard L. Nelson Gallery, UC Davis, USA
“Pictures”, Gallery Hyundai, Seoul, Korea

2004 “Surprise”, Cardi Gallery, Milan, Italy
“Retratos: 2.000 Years of Latin American Portraits”, El Museo del Barrio, New York, NY (travelling to San Diego Museum of Art, Bass Museum of Art, National Portrait Gallery
Smithsonian Institution, Washington D.C. and San Antonio Museum of Art)
“About Face: Photographic Portraits from the Collection”, The Art Institute of Chicago, Chicago, USA
“Photography and Sculpture”, MAM Collection: 1995-2004, Museum of Modern Art, Sao Paolo, Brazil
“The Cobweb. The Collection”, Centro Galego de Arte Contemporanea, Santiago de Comostela, Spain
“...So Fresh, So Cool!”, Galleria Cardi & Co., Milan, Italy
“Artist's Favorites: Act II”, Institute of Contemporary Art, London, UK
“On Side”, Centro de Artes Visuais, Colegio das Artes, Coimbra, Portugal
“Open House”, Brooklyn Museum of Art, Brooklyn, USA
“Janaina Tschäpe & Vik Muniz”, ACC Galerie, Weimar, Germany
“Reanimation”, Kunstmuseum Thun, Uhr, Switzerland
“Between Art and Life: The Contemporary Painting and Sculpture Collection”, SFMOMA, USA
“Moving Outlines”, Contemporary Museum, Baltimore, USA
“Hair: Untangling a Social History”, The Tang Teaching Museum and Art Gallery at Skidmore College Saratoga Springs, USA
“Home Sweet Home”, Cardi Gallery, Milan, Italy

2003 “Supernova: Art of the 1990s from the Logan Collection”, SFMoMA, USA
“ Only Skin Deep, Changing Visions of the American Self”, International
Center for Photography, New York, USA
“Scenery”, Rena Bransten Gallery, San Francisco, USA
2003 Abstraction in Photography, Von Lintel Gallery, New York, NY
“Corpus Christi. Revelation: Representations of Christ in Photography”, Hotel
de Sully, Paris, France
2003 The Israel Museum, Jerusalem, Israel
Finesilver Gallery, San Antonio, TX
“Crosscurrents at Century's End: Selections from the Neuberger Berman Art Collection”, Norton Museum of Art, West Palm Beach, USA
“Panorama de Arte Brasileira”, Museum of Modern Art, São Paulo, Brazil
“Stranger in the Village”, organized by the Museum of Modern Art, NY,
Guild Hall, East Hampton, USA
“S(how): Visual Ephemerality/Bodily Consumption”, Institute of Contemporary
Art, Philadelphia, USA
“Both Sides of the Street: Celebrating the Corcoran's Photograph Collection”, Corcoran Gallery of Art, Washington DC., USA
“Strangely Familiar: Approached to Scale in the Collection of the Museum of Modern Art”, New York, New York State Museum, Albany, NY
“Miradas Cómplice, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
“Pour de Vrai?”, Chateau Boisbonnard, Villeperdue, France
“On”, Xippas Galllery, Athens, Greece
“A Nova Geometria”, Gallery Fortes Vilaça, São Paulo, Brazil
“Corpus Christi: Photographic Representations of Christ, 1850-2001”, International House of Photography at the Deichtorhallen Hamburg, Germany
“Regarding War”, Metropolitan Museum of Art, New York, USA
“Hot Summer in the City”, Sean Kelly Gallery, USA
“Overview:Highlights From The Collection of Fondation Cartier pour L’art Contemporain”, BildMuseet Umea Universitet, Umea, Sweeden
“D'Après” Galleria GAS Corso Vittorio, Torino, Italia
“Last Supper”, Michael Hue-Williams Gallery, London
“Installation of Vik Muniz works from the West Collection”, SEI, Philadelphia, USA

2002 “ Moving Pictures”, Solomon R. Guggenheim Museum, New York, USA
“La Mirada - Looking at Photographs in Latin America Today”, Daros Latin America Collection, Zurich, Switzerland
“The Photogenic: Photography through its Metaphors in Contemporary Art”, The Institute of Contemporary Art, University of Pennsylvania, USA
“Tempo”, Inaugural group show of MoMAQNS, Queens, New York, USA
2002 New Directions in Contemporary Art/ Human Form Exhibition, Sheldon Memoria Art Gallery, Lincoln, NE
“From the Dark Room”, Michael Hue-Williams Fine Art, London, England
“Visions from America: Photographs from the Whitney Museum of American Art, 1940-2000”, The Whitney Museum, New York, USA
“Constructed Realities”, Grand Arts, Kansas City, USA
“Blink”, presented by Phaidon Press, Deitch Projects, New York, USA
“The Thread Unraveled: Contemporary Brazilian Art”, El Museum Del Barrio, New York, USA
“Memoire Morte Memoire Vive”, Dazibao, Montreal, Quebec, Kanada
“Faux/Real”, BORUSAN Art Gallery, Istanbul, Turkey
“Shape”, 21st Century Museum of Contemporary Art, Kanasawa, Japan
“What's New: Recent Acquistions in Photography”, The Whitney Museum of American Art, New York, USA
“Collection of Photographs from MAM”, Museu de Arte Contemporanea de São Paulo, Brazil
“Staging Reality: Photography from the West Collection at SEI”, The Rosenwald/Wolf Gallery at the University of the Arts in Philadelphia, USA
“We Love Painting”, The American Contemporary Art from Misumi Collection, Museum of Contemporary Art, Tokyo

2001 “Museum as Subjects”, The National Museum of Art, Osaka, Japan
“Planet Earth”, The City Gallery, Leicester, UK
“Drawn from Photography”, Los Angeles County Museum of Art, USA
“Brazil: Body and Soul”, The Solomon R. Guggenheim Museum, New York, USA
“Espelho Cego: Seleções de uma Coleção Contemporanea, Paço Imperial, Rio de Janeiro, Brazil
“The Thread Unravelled: Contemporary Brazilian Art”, El Museo del Barrio, New York, USA
“Arte Latino: Treasures from the Smithsonian American Art Museum”, Washington, USA
“Rotativa”, Galeria Fortes Vilaca, Sao Paolo, Brazil
“46th Biennial”, Corcoran Gallery of Art, Washington, USA
“Counter-Monuments and Memory”, Museum of Modern Art, New York, USA
“Minimalism and After”, Museum of Modern Art, New York, USA
“The Path of Resistance White Spectrum”, Museum of Modern Art, New York, USA
“Bruit de fond”, Centre National de la Photographie, Paris, France
Fundação Calouste Gulbekian, Lisboa, Portugal
“La Luz”, Contemporary Latino Art in the United States, National Hispanic Cultural Center of New Mexico, Albuquerque, USA
“Projecto Mnemosyne: Encontros de Fotografia”, Museu Antropologico, Coimbra, Portugal

2000 “2000 Whitney Biennial”, Whitney Museum of American Art, New York, USA
“Paper Cuts”, Rena Bransten Gallery, San Francisco, USA
“Photography Now”, Contemporary Arts Center, New Orleans, USA
“Counter-Monuments and Memory”, Museum of Modern Art, New York, USA
“Landscape-Portrait”, Michael Hue-Williams Fine Art, London, UK
“The Quiet of the Land”, Museu de Arte Moderna, Salvador, Brazil
“Expanding Horizons: Landscape Photographs from the Whitney Museum of American Art”, Whitney Museum of American Art at Philip Morris, New York, USA
“Deslocamentos do Feminino”, Galeria Conjunto Cultural da Caixa, Rio de Janeiro, Brazil
“Brasil + 500: Mostra do Redescobrimento: Artes Visuais”, Modulo de Arte Contemporanea, Pavilhao Ciccillo Matarazzo, São Paulo, Brazil
“A Figura Humana na Colecao Itau”, Itau Cultural, São Paulo, Brazil
“3a Bienal Internacional de Fotografia”, Curitiba, Brazil
“Minimalism and After”, Museum of Modern Art, New York, USA
“The Path of Resistance White Spectrum”, Museum of Modern Art, New York, USA
“Bruit de fond”, Centre National de la Photographie, Paris, France
Fundação Calouste Gulbekian, Lisboa, Portugal
“La Luz”, Contemporary Latino Art in the United States, National Hispanic Cultural Center of New Mexico, Albuquerque, USA
“Projecto Mnemosyne: Encontros de Fotografia”, Museu Antropologico, Coimbra, Portugal

1999 “Cherry”, James Harris Gallery, Seattle, USA
“Museum As Muse: Artist Reflect”, The Museum of Modern Art, New York, USA
“Abracadabra”, The Tate Gallery, London, U.K.
“Eye Candy”, Rena Bransten Gallery, San Francisco, USA
“Trace”, The Tate Gallery, Liverpool, UK

1998 “XXIV Bienal Internacional de São Paulo”, São Paulo, Brazil
“Group Exhibition”, The Cannon Gallery for Photography, The Victoria
and Albert Museum, London, U.K.
“Urban Cannibal”, Paço das Artes, São Paulo, Brazil
“Double Trouble”, The Patchett Collection, Museum of Contemporary Art, San Diego, USA
“Le Donnè, le fictif”, Centro National de la Photographie, Paris, France
“The Garden of the Forking Paths”, Kunstforeningen, Copenhagen, Denmark (travelled to Oslo, Norway and Helsinki, Finland
Coleção Gilberto Chateaubriand/Museu de Arte Moderna do Rio de Janeiro, Haus der Kulturen der Welt
Berlin, Germany
“Das Mass der Dinge”, Ursula Blickle Stiftung, Kraichtal, Germany; Galerie Im Traklhaus, Saltzburg, Austria
“The Cottingley Fairies and Other Apparitions”, The Brooks Museum of Art, Memphis, USA
“La Collection II”, Foundation Cartier pour l'art contemporain, Paris, France
“Internality/Externality”, Galerie Lelong, New York, USA
“The Cultured Tourist”, Leslie Tonkonow, New York, USA
“Food”, Marcel Sitcoske Gallery, San Francisco, USA
“Over Our Heads: The Image of Water in Contemporary Art”, Museum of Art, San Jose, USA

1997 “New Photography 13”, Museum of Modern Art, New York, USA
“New Faces and Other Recent Acquisitions”, The Art Institute of Chicago, USA
“Assi Esta La Cosa”, Centro Arte Contemporaneo, Mexico City, Mexico
“Une Fleur des Photographes: L’Arum”, Musée National de la Coopération Franco-Américaine
Château de Blérancourt, Blérancourt, France
“Pool”, Rena Bransten Gallery, San Francisco, USA
“One Line Drawing”, UBU Gallery, New York, USA
Colleción Ordónez Falcón de Fotografia, IVAM Centre Julio Gonzalez, Valencia, Spain
“Artistes Latino-Americains”, Daniel Templon, Paris, France
“20 Years, Almost”, Robert Miller Gallery, New York, USA
“Hope”, The National Arts Club, New York, USA
“Ut Scientia Pictura”, Paolo Baldacci Gallery, New York

1996 “Shadow Play”, Institute of Contemporary Art, San Jose, USA
“Wesenchau: Disingenuous Images”, Galerie Renee Ziegler, Zurich, Switzerland
“Bis”, Galeria Camargo Vilaca, Vilaça, São Paulo, Brazil
“The Subverted Object”, UBU Gallery, New York, USA
“Recent Aquistions”, The Metropolitan Museum of Art, New York, USA
“Inclusion/Exclusion”, Steirischer Herbst, Graz, Austria
“Some Assembly Required”, The Art Institute of Chicago, USA
“Novas Aquisições”, Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro, Brazil
“Material Matters”, A.O.I. Gallery, Santa Fe, USA

1995 “Wheel of Fortune”, Lombard/Fried Gallery, New York, USA
Margareth Murray Fine Arts, New York, USA
“Panorama Da Arte Contemporanea Brasileira”, Museu de Arte Moderna, São Paulo, Brazil
“Changing Perspectives”, Contemporary Art Museum, Houston, USA
Steven Wirtz Gallery, San Francisco, USA
“Mostra America”, Fundação Cultural de Curitiba, Brazil
“Recent Acquisitions”, Los Angeles County Museum, USA
“The Photographic Condition”, San Francisco Museum of Modern Art, USA
“The Cultured Tourist”, Center For Photography At Woodstock, New York, USA
“Blindspot, The MAC, Dallas Artist Research and Exhibition, USA
“Blue”, Steven Wirtz Gallery, San Francisco, USA
“Nonsolofotografia”, Galeria Ponte Pietra, Verona, Italy
“Garbage”, Thread Waxing Space, New York, USA

1994 “Single Cell Creatures”, Katonah Museum of Art, Katonah, USA
“A Fistful of Flowers”, Grand Salon, New York, USA
“Crash”, The Thread Waxing Space, New York, USA
“Across The River And Into The Woods”, The Rushmore Festival At Woodbury, New York, USA
“Up the Stablishment: Reconstructing The Counterculture”, Sonnabend Gallery, New York, USA
“Garbage”, Real Art Ways, Harford, New York
“Jetleg”, Galerie Martina Detterer, Frankfurt, Germany
“Possible Things”, Marcel Sitcoske, New York, USA

1993 Wooster Gardens, NYC, NY
Tom Cugliani Gallery, New York, USA
“Hypercathexis: Layers of Experience”, Stux Gallery, New York, USA
“Jean-Francois Millet, A Dialogue”, Phillpe Briet Gallery, New York, USA
“Wasteland”, Dooley Le Cappellaine Gallery, New York, USA
“The Alternative Eye: Photography for the 90's”, Southern Alleghenies Museum, Loreto, USA
“Moving Shadows”, Tennisport Arts, Long Island City, USA
“Time to Time”, Castello de Rivara, Torino, Italy
“Sound”, Museo D'Arte Moderna-Bolazano, Italy
“Post-Verbum”, Pallazzo della Regione Bergamo,Italy

1992 “Re: Parceling Perception”, Four Walls, New York, USA
“Selective Passage”, Jusse Segan, Paris, France
“Life Size: Small, Medium, Large”, Museo D'Arte Contemporaneo Luigi Pecci, Prato, Italy
“Multiple Orgasm”, Arena, New York, USA
“Multiples”, The Alldrich Museum of Art, Ridgefield, USA
“Diversite Latino Americaine”, Gallery 1900/2000, Paris, France
“Detour”, The International House, New York, USA
“The Collection”, Centro per l'arte Contemporaneo Luigi Pecci, Prato, Italy
“Les Enfants Terribles”, Wooster Garden, New York, USA
International House, New York, USA
“Oltrefoto”, Museo Ken Damy di Fotografia Contempranea, Provincia di Brescia, Italy
Brent Sikkema Fine Arts, New York, USA
Galerie Claudine Papillon, Paris, France
“Theoretically Yours”, Regione Autonoma Della Valle D'Aosta, Aosta, Italy

1991 “Dissimilar Identity”, Scott Alan Gallery, New York, USA
and Antonio Alvarez. Oltrfoto, Museo Ken Damy di Fotografia Contemporanea
Provincia di Brescia, Italy
“The-Art-Over-The-Sofa Exhibit”, Boritzer/Gray Gallery, Santa Monica, USA
“Ornament”, John Post Lee, New York, USA
Galerie Claudine Papillon, Paris, France
“Theoretically Yours”, Aosta, Italy
Mike Kelley/Vik Muniz/Jim Shaw, Real Art Ways, Hartford, USA
“SummerReview '91”, Stux Gallery, New York, USA
“Timely Objects with Ironic Tendencies”, Rosa Esman Gallery, New York, USA
“The Encompassing Eye, Photography as Drawing”, University Art
Galleries, University of Akron, USA
“The Neighborhood”, A.I.R., Amsterdam, The Netherlands
Emil Lucas/Vik Muniz/Jim Hyde, Steve Mendelson Gallery, Pittsburgh, USA
“The New Low”, Galeria Claudio Bottello, Torino, Italy
“Anni Novanta”, Galleria d'Arte Moderna, Comune di Bolgna, Italy
“Real Fake”, Cartier Foundation, Jouy-en-Josos, France
“Framed”, Stephen Wirtz Gallery, San Francisco, USA
“Outside America”, Fay Gold Gallery, Atlanta, USA
“The Fettish of Knowledge”, Real Art Ways, Hartford, USA

1990 “Stuttering”, Stux Gallery, New York, USa
“U.S.A. Annees 90”, Galerie Antoine Candau, l'Espace-dieu, Paris, France
“Non Sculpture”, Galerie Barbara Farber, Amsterdam, The Nertherlands
“3rd International Biennale der Papierkunst 19”, Leopold-Hoesch Museum, Duren, Germany
“Total Metal”, Simon Watson Gallery, New York, USA
“Functional Fantasy”, TransAmerica Pyramid Lobby, San Francisco, USA
“Constructed Illusion”, Pace MacGill Gallery, New York, USA
“Semi-Objects”, John Good Gallery, New York, USA
“All's Quiet On The Western Front”, Espace Dieu, Galerie Antoine Candau, Paris, France
“Framing Cartoons: In and out of context”, Loughelton Gallery, New York, USA
“Drawing”, Althea Viafora, New York, USA
“Assembled”, Wright State University, Dayton, USA
Baltimore Sales and Rental Gallery, Baltimore Museum, Baltimore, USA
“On the Edge Between Sculpture and Photography”, Cleveland Center for
Contemporary Art, Cleveland, USA
Fernando Alcolea, Barcelona, Spain
“Frames of Reference”, The Gallery, New York, USA

1989 “Fluxus and Friend”, Emily Harvey Gallery, New York, USA
“The Contemporary Triptych”, Jamison/Thomas Gallery, New York, USA
“The Last Laugh; Humor, Irony, Self-Mockery & Derision”, Massimo
Audiello Gallery, New York, USA
“Buena Vista”, John Gibson Gallery, New York, USA
“Frames of Reference”, The Gallery, New York, USA
De Rozeboomkamer, Beeldenroute Foundation, Diepenheim, Netherlands
“Obscured”, Josh Baer Gallery, New York, USA
Karl Bornstein Gallery, Santa Monica, USA
Stux Gallery, New York, USA
“Wortlaut: Konzepte Zwischen Visueller Poesie & Fluxus”, Galerie
Schuppenhauer, Cologne, Germany
Craig Cornelius Gallery, New York, USA

1988 „The New Proverty II”, Meyers/Bloom Gallery, Santa Monica, USA
“Gravity and Blindness”, PS 122, New York, USA

Links

http://www.arndt-partner.de/artists/index.php?id=98&l=en