Haegue Yang

1971 born in Seoul, Korea South

Lives and works in Berlin And Seoul, Germany

Education

born 1971, Seoul, Korea.
lives and works Frankfurt am Main, Berlin, Germany and Seoul, Korea

Solo Exhibitions

2008
Cubitt gallery, London, England
Baloise Prize, Kunsthalle, Hamburg, Germany
Portikus, Frankfurt/M., Germany
Gallery at REDCAT, Los Angeles, USA *
Sala Recalde, Bilbao, Spain *

2007
FOXED IN THE FOREST, Gallery dépendance, Bruxelles, Belgium
HAUBROKSHOWS-STORAGE PIECE, Sammlung Haubrok, Berlin, Germany
REMOTE ROOM, Gallery Barbara Wien, Berlin, Germany
Statement with Gallery Barbara Wien/ Berlin at the Art Basel
Gallery dépendance, Bruessel, Belgium

2006
LES INDEPLIABLES, Gallery ColletPark, Paris, France
INCHEON SA-DONG 30, Incheon, Korea *
UNEVENLY, BAK, basis voor actuele kunst, Utrecht, The Netherlands *

2005
CREMER PRIZE, Westfällishces Landesmuseun, Münster, Germany

2004
UNFOLDING PLACES, Gallery Barbara Wien, Berlin
KASSE, SHOP, KINOUND WEITERES, Hessisches Landesmuseum Darmstadt
UNFOLDING, Dependence, Bruxelles, Belgium

2003
UNREALISTIC TO GENERALIZE, Public>, Paris

2002
LUFT UND WASSER, Dresdner Bank, Frankfurt am Main*

2001
SONDERFARBEN, Kommunale Galerie, Darmstadt*
AStA VIPs, VIP Lounge Design at Art Forum, Berlin
RICHARD-MEIER-ALLEE, KunstPraxis at Siemens Arts Program, Munich

2000
AFFIRMATION AND NEGATION, Gallery Kolster, Frankfurt am Main
LACKER PAINTING 2000, Wiens Laden und Verlag, Berlin
BLUE MEADOW-COLOURED LANGUAGE, Künstlerhaus Mousonturm, Frankfurt am Main
STAKED STRIPES AND FLYING OVALES, Company Carton Plast in Dietzenbach

1999
HAMBURGEFONSTIV, 1822 Forum der Frankfurter Sparkasse in Frankfurt am Main*

1995
rraum, Frankfurt am Main

Group Exhibitions

Selected group shows and projects

2008

FOLDING, Kunstmuseum Krefeld, Germany
WHOSE HISTORY, Hamburger Kunstverein, Germany


2007
BRAVE NEW WORLDS, Walker Art Center, Mineapolis, USA
APAP; Anyang Public Art Project, Anyang, Korea
FLASH CUBE, Leeum, Seoul, Korea
IMAGINE ACTION, Lisson Gallery, London, England
PRAGUE BIENNALE, Prague, Czech *
MADE IN GERMANY, Sprengel Museun, Kestnergesellschaft, Kunstverein, Hannover, Germany *
“SOMETHING Mr. C CAN”T HAVE” KIAF 2007, COEX hall, Seoul, Korea
BRENNSCHLUSS, Galerie Andreas Huber, Vienna, Austria
KUNSTPREIS BOETGERSTRASSE 2007, Kunsthalle, Bremen, Germany *
“StadtanSichten: Seoul”, IFA Gallery, Berlin, Germany *
“dépendance at Galerie Neu”, Gallery Neu, Germany
MODELS FOR TOMORROW: COLOGNE, Europaeische Kunsthalle, Cologne, Germany *
with Mandla Reuter, FLACA, London, Great Britain (2-men show)
“StadtanSichten: Seoul”, IFA Gallery, Stuttgart, Germany

2006
FAMINISTIC LEGACY AND POTENTIALS IN CONTEMPORARY PRACTICES, De Appel Foundation, Amsterdam, Netherlands *
PERSONAL AFFAIRS-NEW FORMS OF INTIMACY, Museum Morsbroich, Leverkusen, Germany
SAO PAULO BIENNALE, Sao Paulo, Brazil *
PIGMENT PIANO MARBLE, Buenos Aires, Argentina *

2005
LICHTKUNST, ZKM, Karlsruhe, Germany
SCHNUR IM NEBEL, with Peter Lütje, Doppelzimmer, Giessen, Germany
PUNKT UND LINIE, FLÄCHE UND RAUM, ZEICHNUNG HEUTE, Overbeck-Gesellschaft, Lübeck, Germany

2004
BUSAN BIENNALE, Busan, Korea*
THIS IS NOT A LOVE LETTER, Maronnier Museum, Seoul, Korea
D-FREE ZONE, GWANGJU BIENNALE, Site 2, Korean Express, Gwangju, Korea*
STEAMING AWAY FROM THE PLACES, Exhibition Hall at the Sangmyung Univ. Seoul, Korea*
DOCUMENT, Seoul Metropolitan Museum of Arts, Seoul, Korea *
BLACK FRIDAY, Galerie Johanna Kamm, Berlin, Germany
MIX MAX, Art Sonje Center, Korea*
SPACE AND ALTERITY, Lawrence OíHana gallery , London
XS, FA Project, London

2003
HERMES KOREA, Sonje Art Center, Korea *
FROM DUST TO DUSK, Charlottenborg, Copenhagen *
CORE-AREA, De Appel, Amsterdam, Netherlands *
TOWER OF BABYLON, Landesmuseum, Mainz
FORGET IGRET REGRET, Akiyoshidai International Artist Village, Yamaguchi, Japan

2002
SUBTLE ELEGANCE, La Galerie Noisy-le-Sec, France
G39, Cardiff
KUNST UND TECHNIK, Mannheimer Kunstverein, Mannheiem *
CITE DES ONDES, Montreal, Canada*
40 YEARS: FLUXUS AND THE CONCEQUENCES, Wiesbaden
MANIFESTA 4, Frankfurt am Main *
PARADISE AMONG US, Art and Culture Foundation, Seoul, Korea
Space Design of LIVING ARCHIVE at the Gwangju Biennale, Korea
BLINK, Artsonje Center, Seoul, Korea *
SSAMZIE 2002, Seoul, Korea *

2001
RRAUM03, Protoacademy, Edinburgh, Scotland
LUNCHTIME OF NECKTIE FORCE, Posco Museum, Seoul, Korea*
FRANKFURTER KREUZ, Schirn Kunsthalle, Frankfurt am Main*
TIRANA BIENNALE 1, Tirana, Albania*
BEING A GUEST, 2-men show, Bellvue Saal, Wiesbaden
WE ARE NOT HERE TO GIVE YOU PLEASURE, rraum02, Frankfurt am Main
INVISIBLE TOUCH, Sonje Art Center, Seoul, Korea*
1 SITE 2 PLACES, Galerie der Stadt, Sindelfingen

2000
FRANKFURTERSCHULE in Glasgow, Scotland
ANNO ZERO, Cittadellarte in Biella, Italy
Kunstraum, München
ART OR DESIGN, Design Center, Seoul, Korea*

1999
SUPPORT ON PAPER, Gallery Kolster, Frankfurt am Main

1998
2-men Show I-20 with Caroline Krause, Ausstellungsraum von Konstantin Adamopoulos in Frankfurt am Main
HERE WE ARE, Galeria Municipal da Mitra, Lisbon, Portugal*
STUTTGART, 17. 7. 1956 - SALEM(WIS)/USA, 3. 3. 1977, Portikus, Frankfurt am Main*
CITY IN MEDIA-FOOD; SHELTER, CLOTHES, Metropolitan Museum of Arts, Seoul, Korea*

Collections

-Galerie fuer Zeitgenoessische Kunst, Leipzig
-WESTFÄLISCHES LANDESMUSEUM FÜR KUNST UND KULTURGESCHICHTE MÜNSTER
-Axel Haubrok, Berlin
-Kunsthalle, Hamburg

Bibliography

Bibliography (Selection)



Articles in Newspapers and Art Magazines (Alphabetical)

-Baek, Jissok, “Approaching the center, understanding and misunderstanding”, Art in Culture, October 2003, Special report-Korean Art Trip(3)Amsterdam, Facing Korea, P 100-105
-Birnbaum, Daniel, „First Take: Daniel Birnbaum on Haegue Yang“, ART FORUM January 2003, P 123
- Bogenschütz, Dorothee Baer, „Auch die BBC inspiriert“, Frankfurter Rundschau, 10. December 2001 Nr. 287 S/R Kulturspiegel, P 21
-Choi, Binna, Exhibition Review “Kasse, Shop, Kino and Weiteres”at Landesmuseum in Darmstadt, “Sentimental Road movie, resembles social contemplation”, Art in Culture, March 2005, P. 134-135
-Danicke, Sandra, „Abenteuer -Möbel“, Frankfurter Rundschau, 11. August 2001 Nr. 185 S/R Kulturspiegel, P 30
-Danicke, Sandra, „Haegue Yang“, Art Kaleidoscope, Heft 2/05 Mai bis Auguest 2005 German and English, P. 6-9
-Hohmann, Silke, “Orientierung-Haegue Yang ordnende Eingriffe im Landesmuseum Darmstadt”, 27. October, 2004, Frankfurter Rundschau, Frankfurt am Main
-Hwang, You-mee, “Neither here nor there: Artists reflect on 'non-place'”, The Korea Herald, Seoul, Korea, 15 July 2006
-Kamiya, Yukie, “Very New Art 2004”, BT Magazine, Vol. 56, No. 847, Tokyo 2004, P. 220-221
-Kim, Hyunjin, “Community of people who have not have the community”, 2006 June, Art in Culture, Seoul, Korea, P 73
-Kim, Hyunjin, Exhibition Review at Gallery Barbara Wien, Berlin, “Relational Irrelevance, an allegorical Place”, 2004 June, Art in Culture, Seoul, Korea, P 120
-Kim, Hyunjin, “Interview with Haegue Yang”, 2003, Wolgan Vampire, Seoul, Korea, P. 11-21
-Kim, Jangun, artist 05 “Accidental rhetoric and beyond it” Space, Nr. 438, May 2004, Seoul, Korea P. 178-185
-Kim, Jangun, “Interview: Art, Society and its contexts”, Forum A, Nr. 12, July 2004, Seoul, Korea, P. 15-21
-Klaue, Magnus, „Was wir gerne zu Hause hätten“, Frankfurter Allgemeine_Zeitung, Kulturspiegel, 10. December 2001, Nr. 287, P 63
-Klaue, Magnus, „Der Stranßenrand als Biotop“, Frankfurter Allgemeine Zeitung, Kulturspiegel, P. 56, 31. December 2001 Nr. 303
-Krämer-Alig, Annette, „Ich biete Momente an“, Darmstädter Echo, Feuilleton P 9, xxx, October 2004
-Krämer-Alig, Annette, „Kunst zwischen den Kulturen“, Darmstädter Echo, Feuilleton P 29, 17. January 2001
-Kuni, Verena, “Fuesse im Dreck, Kopf um Himmel-Haegue Yangs produktiver Umgang mit Missverstaendnissen”, Kunstbulletin, P 28-31
-Lee, Youngjun, “Blink as not a blink and its negation and dislocation”, Focus BLINK 6. March-14. April, 2004 at Artsonje Center, Seoul, Korea, April 2002, Art in Culture, Seoul, Korea, P 62-65
-Noh, Hyungsuk, “Deserted House, Space of memory-captured in time”, Hangyereh daily newspaper, Seoul, Korea, 22. August 2006
-Oh, Mihwan, “Solo Exhibition of Haegue Yang-Extraordinary exhibition in a deserted house…”, Hanguk Daily Newspaper, Seoul, Korea, 20. August 2006
-Pethick, Emily, FOCUS “Fog machines, scent dispensers and orogami; sci-fi tower blocks and urban detritus”, November 2006, Frieze, London P. 144
-Scherer, Sigrid, „Zertrümmertes Hotelzimmer und filigrane Linien“, Frankfurter Allgemeine Zeitung Kultur P 78, 24. February 2001 Nr. 47
-Schlaegel, Andreas, “Neue Berliner Funky-Combining Sculptural Vocation with Subversive Conceptual Strategies”, Flash Art, March-April 2006, P. 72-76
- Werneburg, Brigitte, “Kindersprüche und Katzenmassaker” taz, 1. October.2005, P. 22
-Yoo, Jinsang, Focus “Fiction, Already left peoples and not yet departed people”, November 2004, P 52-53, Art in Culture, Seoul, Korea
-Yoo, Jinsang, Review, Busan Biennale 2004 “Chasm, it fell into the chasm of metatext”, September 2004, P 70-74, Art in Culture, Seoul, Korea
- Verhagen, Marcus “Haegue Yang: Storage Piece”, The Future, 2004

-“Schwellenangst”, MJ, taz Berlin local Nr. 7345, 28. April 2004
-„Auf Entdeckungsreise gehen“, Rhein Main Presse, Feuilleton P 9, 14. Juli 2001
-„Merian-Preis an Deutsche und Koreanerin“, Lübecker Nachrichten, Kultur 19
-„Lucie Beppler und Haegue Yang ausgezeichnet“, prr, Frankfurter Rundschau, 29.September 2001 Nr. 227 S/R Kulturspiegel, P 30
-“Future korean cultural leader in foreign country”, Maeilkyungjae, Seoul, Korea, 18. November 2004
-“White Wall-16 Young Korean artists”, GQ Korea, February 2005, P. 133



Catalogue Texts

Anja Casser, „Die Möglichkeit steckt in Minimalen“, Catalogue, Industrie und Technik, Verlag Dielmann, Frankfurt 2002

Helen Chouteau and Julien Fronsacq, Le Journal, La Galerie de Noisy-le-Sec, Noisy-le-Sec 2002

Nikola Dietrich, Exhibition Catalogue of 40 Jahre: Fluxus und die Folgen, Wiesbaden 2002

Charles Esche, „Why is everyday life so different, so appealing?“, Exhibition Catalogue of Hermes Art Prize Korea, ArtSonje Center, Seoul 2003

Sungwon Kim, „Tilting One Degree“, Exhibition Catalogue of Blink, ArtSonje Center, Seoul 2002

Partin Pesch, „Auf der Suche nach einer eigenen Sprache“, Exhibition Catalogue of Tirana Biennale 1, Gian Carlo Politi Publisher, Milan 2001

Isabel Podeschwa, Exhibition Catalogue of Air and Water, Dresdner Bank, Frankfurt 2002

Isabel Podeschwa, Exhibition Catalogue of Manifesta 4, Short guide, P. 134-135, Hatje Cantz 2002

Annette Tietenberg, „Warenwelt in Schräglage“, Exhibition Catalogue of Manifesta 4, P. 76-77, Hatje Cantz 2002

Jochen Volz, „Smallest possible juxtaposition“, Exhibition Catalogue of Sonderfarben, Wiens Verlag, Berlin 2001



Exhibition Catalogue

Collective
PERSONAL AFFAIRS-NEW FORMS OF INTIMACY, 2006, Museum Morsbroich, Leverkusen, Germany & DuMont, Colon, ISBN 13: 978-3-8321-7757-7 or ISBN 10: 3-8321-7757-4
PIGMENT PIANO MARBLE, 2006, Buenos Aires, Argentina, curated/ edited by Mandla Reuter, ISBN 3-86588-304-4, Revolver Archiv für Aktuelle Kunst, Frankfurt am Main
BLACK FRIDAY, ISBN 3-86588-098-3, Design by Christoph Keller Published by the Piet Zwart Institute, Rotterdam, Netherlands in collaboration with Revolver, Revolver Archiv für Aktuelle Kunst, Frankfurt am Main
Busan Biennale 2004, Short Guide “Chasm”, Korea 2004, P. 57
Busan Biennale 2004, “Chasm”, Korea 2004, P. 120-121
MixMax, Artsonje Center, Seoul 2004, P. 86-95
Hermes Prize Korea, Artsonje Center, Seoul, Text: Charles Esche, 2003
Facing Korea, De Appel Foundation, Amsterdam, Yellow Sea Publisher, Seoul 2003
From Dusk to Dusk, Charlottenborg Udstillingbygning, Copenhagen K 2003, P. 6-19, P. 100, P. 219, P. 221, ISBN 87 889444 55 7
Manifesta4, Kurzführer, S. 134-135, Text: Isabel Podeschwa, Hatje Cantz 2002
Manifesta4, Kurzführer, S. 76-77, Text: Annette Tietenberg, Hatje Cantz 2002
Gwangju Biennale 4, Gwangju Biennale Foundation, Korea 2002
40 Jahre: Fluxus und die Folgen, Wiesbaden, 2002, Text: Nikola Dietrich, P. 210-211
Blink, Artsonje Center, Seoul 2002
Le Journal, La Galerie Noisy le Sec, Paris 2002
Ssamzie Sudio_3, Ssamzie Art Center, Seoul 2001
Frankfurter Kreuz, Schirn Kunsthalle, Frankfurt, Hatje Cantz 2001, ISBN 3-7757-1062-0, P. 342-347
Tirana Biennale1, Giancarlo Politi Publisher 2001, Text: Martin Pesch, P. 464-467
Goldankauf, Silke Schreiber Verlag, München 2001
Were I am, Galeria Municipal da Mitra, Expo `98 Lisboa, Lissabon, 1998, P. 40-41
STUTTGART 17. 7. 1956 - SALEM(Wis.)/ USA, 3. 3. 1977, Portikus, Frankfurt am Main 1998
City_in media - Food, Shelter, Clothes, Seoul Metropolitan Museum of Arts, Seoul 1998

Monography
(Upcoming) Haegue Yang, BAK, basis voor actuele kunst, Utrecht, Netherlands, Text : Lars Bang Larsson, Binna Choi and Nina Möntmann, Revolver Archiv für Aktuelle Kunst, Frankfurt am Main 2006
The Pages, co-authors: Maureen Mooren and Daniel Van der Velden, Revolver Archiv für Aktuelle Kunst, Frankfurt am Main 2004
Industrie und Technik, Text : Anja Casser, Verlag Dielmann, Frankfurt am Main 2002
Luft und Wasser, Text: Isable Podeschwa, Dresdner Bank, Frankfurt am Main 2002
Sonderfarben, Text: Meike Behm, Martin Pesch Jochen Volz, etc.,Wiens Verlag, Berlin 2001
Grid Bloc, hrg. Haegue Yang, Frankfurt am Main 2001
Week on two pages diary, Forum 1822 Frankfurter Sparkasse, Frankfurt am Main 2000



Artistic Contributions

-(Upcoming) FUTURE IS A CLOUD, curated by Luca Cerriza, Berlin 2006
-Copy Book, including contributions of Karl Holmquist, Andreas Koch, Dustin Larson, Jan Mancuska, Michaela Meise, Albrecht Schäfer, etc. curated by Barbara Buchmaier & Stefan Schuster, Berlin 2006
-“REPORT (Not Announcement)”, curated by Binna Choi for E-Flux, Revolver Archiv für Aktuelle Kunst, Frankfurt am Main, 2006
-GAS, Editorial 001, “Universal Cooking Book”, curated by Jochen Volz, P 13, Copenhagen, 2006
-“Manifest zur asymmetrischen Unterhaltung ueber Kunst” with Peter Luetje, UNIVERS, Ausgabe 9, December 2005, P 44
-Files, published by MUSAC, Museo de Arte Contemporáneo de Castilla y León, Madrid 2004
-„Anzeige Total“ Strassenfeger, Ausgabe 21 Oktober 2003 Berlin, hrg. Andreas Schlaegel
-Charley Nr. 1, New York 2002
-„Bathroom Contemplation“ Metronome Nr. 7, edited by Clementine Deliss, London/ Paris/ Oslo/ Copenhagen/ Stockholm 2001
-Goldankauf, Silke Schreiber Verlag, München 2001
-Interview with Liam Gillick, Berlin Biennale 2, Berlin 2001
-Büchner, Rhein Main Kulturanzeige, Frankfurt am Main 2000
-„Unknown Social Study about Hidden Data“ Metronome Nr. 4-5-6 edited by Clementine Deliss, Frankfurt Wien Bordeaux Edinburgh & Biella 1999


Self-Publishings

„Gridblock“, published by Haegue Yang, Frankfurt 2001



TV and Film

-Pontus Kyander,
”Unfolding Places”, video commission for SVT Bildjournalen SCREEN (a broadcasted art space in Swedish National TV. Among other artists contributing new works were Pipilotti Rist. Mark Lewis, Lawrence Weiner, Carey Young). Broadcast 9 May, 2004 19:00, SVT2

-Lucie Herrmann, 11, October 2005, Hessische Rundfunkt, Frankfurt am Main, Germany, http://www.hr-online.de/website/rubriken/kultur/index.jsp?rubrik=2057&key=standard_document_11988626

- UN Millennium Campaign, Viola Laske Filmproduction, ©United Nations


Web Articles

-Lein Cazemier, “Unevenly (1)&(2), http://www.sapsite.nl/artikel.php?1&item=1131 (Dutch)
- http://www.kunstbus.nl/agenda/2006/1261594.html (Dutch)
- “Odyssee im Zwischenstadium”, October 2003 Neue Review Berlin, InterviewAngela Rosenberg/Andreas Schlaegel, http://www.neuereview.net/?archiv:artikel:Odyssee+im+Zwischenstadium
-Coubetergues, Phillippe, “Subtiles Élégances”, December 2002 (French)
http://www.paris-art.com/lieu_detail-597.html
-Sirmans, Franklin, “The Busan Biennale 2004”, 2004 (English)
http://www.artnet.com/Magazine/reviews/sirmans/sirmans10-12-04.asp
-“Haegue Yang im Landesmuseum-Ausstellung der maria Sybilla Merian -Preistraegerin 2001” Kasse, Shop, Kino und Weiteres, da facto/NK, 20. October 2004 (German)
- “Haegue Yang: Kasse, Shop, Kino und Weiteres”, www.hr-online.de, (German) http://www.hr-online.de/website/rubriken/kultur/index.jsp?rubrik=2055&key=standard_document_2802238




Bibliography as PDF file to download





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Links

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www.barbarawien.de