1966 born in Kent, UK
2008 died in Scotland
Solo Exhibitions
2008
„69 South Audley Street, London W1“, Sadie Coles HQ, London, GB
2006
„Angus Fairhurst“, Grimm Fine Art, Amsterdam, NL
„Unwit“, Paul Kasmin Gallery, New York, USA
2005
„Notnot“, Vacio 9, Madrid, SP
2004
„Unwork“, Contemporary Fine Arts, Berlin
„Dysuniversal“, Georg Kargl, Wien / Vienna; AT
„Drunkenmasters“, mit / with Liam Gillick und Cerith Wyn Evans, Galeria Fortes Vilaça, São Paolo, BR
„In-A-Gadda-Da-Vida“, mit / with Sarah Lucas und Damien Hirst, Tate Britain, London, GB
2002
„Angus Fairhurst“, Alphadelta Gallery – Artio Gallery, Athen / Athens, GR
2001
„This Does Not Last More Than One Second“, Spacex Gallery, Exeter, GB
„More or Less Angus Fairhurst“, Sadie Coles HQ, London, GB
„Angus Fairhurst More or Less“, China Art Objects Gallery, Los Angeles, USA
„This Does Not Last More Than Ten Seconds“, Kunsthalle St Gallen, St. Gallen, CH
1999
„The Trouble with Comedy“, Contemporary Fine Arts, Berlin Art Fair, Berlin
„The Foundation“, Ursula Blickle Stiftung, Kraichtal, DE; Kunsthalle St.Gallen, St. Gallen, CH
1998
„The Missing Link“, Sadie Coles HQ, London, GB
„Standing Stock Still“, Anton Kern Gallery, New York, USA
„Odd-Bod Photography“, mit / with Sarah Lucas, Sadie Coles HQ, London; Kölnischer Kunstverein, Köln / Cologne
1997
„Stand Still and Rot“, Contemporary Fine Arts, Berlin
1996
„Low Lower Lowest“, Jay Jopling / White Cube, London, GB
„The Artist Has Left“, mit / with Lothar Hempel, Anton Kern Gallery, New York, USA
„A Cheap and Ill-fitting Relationship“, Paul Andriesse Gallery, Amsterdam, NL
„A False Dawn On The Road To Personal And Artistic Freedoms“, Ridinghouse Editions, London, GB
1994
„Gallery Connections“, Karsten Schubert Ltd., London, GB
„Drawings and Cartoons“, 71 Hartham Road, London, GB
1993
„All Evidence of Man Removed“, Karsten Schubert Ltd., London, GB
1992
„Man Abandoned by Space“, Galerie Analix, Genf / Geneva, CH
1991
„Some Went Mad, Some Ran Away“, Karsten Schubert Ltd., London, GB
1990
„You in Mind“, Karsten Schubert Ltd., London, GB
Group Exhibitions
2006
„Survivor“, Bortolami Dayan, New York, USA
„Gegenstände / Handlungsformen“, Badischer Kunstverein, Karlsruhe
„Big City Lab”, 11. Artforum Berlin, Berlin
„Nothing But Pleasure”, BAWAG Foundation, Wien / Vienna, AT
„Prints”, Sadie Coles HQ, London, GB
„Implosion: 10th Anniversary Exhibition”, Anton Kern Gallery, New York, USA
„Dada’s Boys”, The Fruitmarket Gallery, Edinburgh, GB
„Dark”, Museum Boijmans van Beuningen, Rotterdam, NL
2005
„Bazar de Verão“, Galeria Fortes Vilaça, São Paolo; BR
„Cross Section“, Paul Kasmin Gallery, New York, USA
„Threshold”, MW Projects, London, GB
„Vertigo, Sudeley Castle”, Winchcombe, Gloucestershire, GB
„Y[oung] B[ritish] A[rtists] Criss-Crossed“, Galleri Kaare Bernsten, Oslo; FL
„Out of the Melting Pot”, Dexia Banque Internationale à Luxembourg, Luxemburg/ Luxembourg, LU
2004
„Summer Exhibition“, Royal Academy, London, GB
„Collage“, Bloomberg SPACE, London, GB
„Incommunicado“, City Art Centre, Edinburgh, GB
„57th Aldeburgh Festival, Contemporary British Sculpture”, Snape, Snape, GB
2003
„Trickfilm, Buchmann Galerie, Köln / Cologne
„Sterling Stuff: Fifty Sculpturs“, Sigurjon Olafsson Museum, Reykjavik, IS; Royal Academy of Arts, London, GB
„In Retrospect: Thirty Sculptors“, Gallery Pangolin, Chalford, GB
2002
„Sterling Stuff: Fifty Sculpturs“, Gallery Pangolin, Chalford, GB
„Generator“, Spacex Gallery, Exeter, GB
„Iconoclast: Beyond the Image Wars“, ZKM, Karlsruhe
„Why bother? The Burger King Exhibition“, Burger King, London, GB
„Man in the Middle“, Sammlung Deutsche Bank, Frankfurt am Main
„The unblinking Eye: Lens-based work from the IMMA Collection“, Irish Museum of Modern Art, Dublin, IR
2001
„Casino 2001“, S.M.A.K., Gent, BE
„Animations“, P.S. 1 Contemporary Art Center, New York, USA
„Summer Exhibition“, Royal Academy of Arts, London, GB
„Alternative Currents, video art in Texas“, The Mac, The Mckinney Avenue Contemporary, Dallas, USA
„Century City: Art and Culture in the Modern Metropolis“, Tate Modern, London, GB
„Lens and Paper – the Beauty of Intimacy“, Gemeentemuseum, Den Haag, NL; The Hague; Staatliche Kunsthalle Baden-Baden, Baden-Baden; Haus am Waldsee, Berlin
„I will never let you go“, Stockholm City Theater and Modern Museum, Stockholm, NL
2000
„Apocalypse“, The Royal Academy, London, GB
„Video-vibe“, British School in Rome, Rom / Rome, IT
„00“, Barbara Gladstone Gallery, New York, USA
„Body Beautiful“, Galerie Jennifer Flay, Paris, FR
„Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, GillianWearing“, The Living Art Museum, Rekyavik, IS
„About Collage“,Tate Liverpool, Liverpool, GB
„Sanssouci Oder: Die Kunst Der Entsorgung“, Badischer Kunstverein, Karlsruhe
„The Anagrammatical Body“, ZKM, Karlsruhe
„Sex and the British“, Galerie Thaddeaus Ropac, Salzburg, AT und Paris, FR
„Hoxton HQ“, Sadie Coles HQ at Hoxton House, London, GB
„Psycho, Art and anatomy“, Anne Faggionato, London, GB
1999
„Art Lovers“, Liverpool Biennial, Liverpool, GB
„Gallery Swap“, Sadie Coles HQ at Contemporary Fine Arts, Berlin
„Fourth Wall – Ending (video projection)“, Public Arts Development Trust at Royal National Theatre, London, GB
„The Anagrammatical Body“, Neues Landesmuseum, Graz, AT
1998
„No Sex Please We’re British“, Shisedo Gallery, Tokio / Tokyo; JP
„Thinking Aloud“, Kettle’s Yard, Cambridge; Camden Arts Centre, London, GB
„Maximum Diversity“, Galerie Krinzinger in den Benger Fabrik, Bregenz, AU and Atelierhaus der Akademie der Bildenden Künste, Wien / Vienna, AT
„Crossings, Kunst Zum Hören und Sehen“, Kunsthalle, Wien / Vienna, AT
1997
„Dimensions Variable“, British Council Touring Exhibition
„Package Holiday“, Hydra Workshops, Hydra, GR
„Painting, Photography, Drawing“, Anton Kern Gallery, New York, USA
„Contemporary British Drawings“, Sandra Gering Gallery, New York, USA; Galerie Paul Andreisse, Amsterdam, NL
„Other Men’s Flowers“, The British School in Rome, Rom /Rome, IT
„From Figure to Object“, Karsten Schubert Ltd., London; Frith Street Gallery, London, GB
1996
„Plastic“, Arnolfini Gallery, Bristol; Walsall Museum and Art Gallery, Walsall, GB
„Full House“, Kunstmuseum Wolfsburg, Wolfsburg
„Domestic Violence“, Rhona Hoffmann Gallery, Chicago, USA
„A Small Shifting Sphere of Serious Culture“, ICA, London, GB
„Other Men’s Flowers“, Aurel Scheibler, Köln / Cologne
1995
„Brilliant! New Art From London“, Walker Art Centre, Minneapolis, USA; Contemporary Art Museum, Houston, USA
„Corpus Delicti“, Portalen, Kopenhagen / Copenhagen, DK
1994
„Karaoke Football“, Portikus No 58, Frankfurt am Main
„Some Went Mad, Some Ran Away“, Serpentine Gallery, London, GB; Arts Centre, Helsinki, FI; Kunstverein, Hanover; Museum of Contemporary Art, Chicago, USA
„Not Self Portrait“, Karsten Schubert Ltd., London, GB
1993
„Privacy“, Opos, Mailand / Milan, IT
„Other Men’s Flowers“, Factual Nonsense, London, GB
1992
„Twenty Fragile Pieces“, Galerie Analix, Genf / Geneva, CH
„Etats Specifiques“, Musee des Beaux Arts, Le Havre, FR
„Mat Collishaw, Angus Fairhurst, Abigail Lane“, Viafarini, Mailand / Milan, IT
1991
„Gambler“, Building One, London, GB
„Modern Medicine“, Building One, London, GB
1988
„Freeze“, PLA Building, London, GB
Collections
Tate Gallery, London, GB
Walker Art Centre, Minneapolis, USA
Simmons & Simmons, London, GB
European Parliament
EVN Austria
Bibliography
2008
Miller, Harland, “Art of darkness”, Guardian, 5. April 2008.
Chartes, David, „Angus Fairhurst”, Liverpool Daily, 5. April 2008.
Shortland, Grace, „Farewell Angus Fairhurst”, Newstatesman, 4. April 2008.
Johnson, Ken, „Angus Fairhurst, One of the Group Known as Young British Artists, Dies at 41“, The New York Times, 2. April 2008.
Muir, Gregor, „Angus Fairhurst“, Guardian, 2. April 2008.
Campbell – Johnston, Rachel, „Angus Fairhurst: the brains behind the Young British Artists“, The Times, 2. April 2008.
Sander, Johannes, “Angus Fairhurst ist tot”, Kunstmarkt.com, 01. April 2008.
„Angus Fairhurst”, Telegraph, 1. April 2008.
Akbar, Arifa and Powell, Marianne, „Artist behind 1990’s boom ‘commtis suicide’”, Independent, 1. April 2008.
„Tributes paid to artist Fairhurst after apparent suicide”, The Herald, 32. März 2008.
Brown, Mark, „Artist Angus Fairhurst dead at 41”, Guardian, 31. März 2008.
2006
Sari Carel, „New York Critics Picks“, Artforum, Mai 2006
2005
Jennifer Allen, „Angus Fairhurst / Contemporary Fine Arts”, Artforum, Febuar 2005
2004
Wittneven, Katrin, „Augensterne“, Tagesspiegel, 4. Dezember 2004, S. 49.
David Ebony, „In – A – Gadda – Da - Vida at Tate Britain“, Art In America, Mai 2004
Waldemar Januszczak, „The rot of ages“, The Sunday Times, 7. März 2004
Karen Wright, „Gallery: In – A – Gadda – Da - Vida“, Modern Painters, Frühjahr 2004
Richard Dyer, „Angus Farihurst, Damien Hirst, Sarah Lucas: In – A – Gadda – Da - Vida“, Contemporary, no. 61, März 2004
2003
Hale, Andrew, „The Art of Fragility“ (interview), GQ, 2003
2002
„Generator“, Flux, no. 33, Oktober - November 2002
Falconer, Morgan, Lafuente, Pablo, „´Art Rocks!´, The Group Show“, Art Review, New York, vol. LIII, Mai 2002
2001
Herbert, Martin, (Review), Time Out, London, 28. März – 4. April 2001
Hackworth, Nick, „Less is Less – More or Less“, Evening Standard, London, 23. März 2001
Bishop, Claire, „Angus Fairhurst Picking at a Scab“, ArtText, no. 27, 2001
Bussel, David, „Art School Rock“, I - D Magazine, April 2001
Clark, Paul, „Last Chance, Art“, Evening Standard, London, 9. April 2001
Rigney, Robert, „Confessions of an ´Art Freak´“, Artnews, März 2001
„Artists Project, Exquisite Corpse“, Tate, The Art Magazine, no. 26, Herbst 2001
Testino, Dutch Magazine, no. 34, Juli / August 2001
Birnbaum, Daniel, „Casino 2001“, Artforum, New York, vol. XL, no. 1, September 2001
Gioni, Massimiliano, „Casino 2001: High Stakes in Gent“, Flash Art, Milano, Oktober 2001
2000
Lewisohn, Cedar, „Art and Rock Stars, From White Cube to Gold Disk“, Flash Art, Milano, März - April 2000
Gibbons, Fiachra, „Sensation´s over, now it´s Apocalypse“, The Guardian, 3. März 2000
„Artists Portfolio“, POP, no. 1, Herbst / Winter 2000
1998
Guha, Tania, „Angus Fairhurst“, Time Out, London, 16. November 1998
Sanders, Mark, „No Sex Please We´re British“, Dazed & Confused Magazine, London, Oktober 1998
Aliaga, Juan Vicenta, „Angus Fairhurst / Sarah Lucas“, Artforum, New York, September 1998
Moore, Suzanne, „You Show Me Yours“, Independent on Saturday Magazine, 11. April
Arning, Bill, „Standing Stock Still“, Time Out, New York, 11. Juni 1998
1997
Avgikos, Jan, „Angus Fairhurst and Lothar Hempel“, Arforum, New York, no. 36, Februar 1997
Sanders, Mark, „Abandabandon: Lowest Expectations“, Dazed and Confused, no. 30, 1997
Bussel, David, „Lowest Expectations“, Frieze, London, Januar / Februar 1997
1996
Harris, Mark, „Angus Fairhurst“, Art Monthly, no. 202, Dezember 1996 / Januar 1997
„Sound and Vision“, The Art Newspaper, no. 64, November 1996
„Angus Fairhurst and Gary Hume“, Arena, 1996
MacAdam, Barbara, „Paragon Press: British impressions, (Contemporary British print - making, The Paragon Press, 1968 - 1995: Yale Centre for British Art, New Haven, Connecticut) “, Art News, vol. 95, März 1996
Sanders, Mark, (art project), Dazed and Confused, no. 25, 1996
1994
Muir, Gregor, „Angus Fairhurst“, Frieze, Juni / Juli / August 1994
1993
Archer, Michael, „Karsten Schubert Ltd.“, Artforum, vol. 32, Dezember 1993
1991
„Man Abandoned by Colour“ (artist´s project), Frieze, pilot issue, 1991
1990
„It´s A Maggot Farm“, Artscribe, November / Dezember 1990
Renton, Andrew, „Modern Medicine“, Flash Art International, Sommer 1990
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